End-to-end audio visual production for conferences, brand launches, awards and gala dinners. Creative direction, logistics, crew, live direction and 24/7 support, all from one team, so your team can focus on the room.
Most events still get stitched together from three or four suppliers; a creative agency, an AV hire company, a crew firm, a freelance show caller. Each is fine on its own; the cracks appear in the gaps between them. We don't sub-contract any of it. Creative direction, logistics, crew, live direction and 24/7 support all sit under one roof, owned end-to-end by a single senior PM who stays on your brief from kickoff to wrap.
That means a 20-person boardroom briefing on a Monday is built by the same team that owns the room on the Friday. It means the designer who sketched the stage is the one watching it focus. It means if something goes dark mid-show, there's no supplier dispute to arbitrate on Monday, we fix it, then we explain it. From 200-pax product launches to 1,200-seat flagship conferences, the build matches the brief because the brief never left the building.
Concept decks, mood films, stage & scenic design, lighting & video content design. Our creative team works up the room on paper before a single road case moves, so the build matches the vision, not the other way round.
CAD drawings, venue surveys, equipment scheduling, trucking, crew booking and call sheets. A senior PM owns your brief from kickoff to wrap, and our 35-strong crew of riggers, sparkies and ops are all PAYE, no agency ring-rounds the night before.
Show caller, stage manager, multi-cam vision mixing, live audio mix & monitor, lighting operation and busking. One production desk runs the show: your speakers, performers and brand team just turn up and do their bit.
Pre-show rehearsals, live show cover, overnight de-rig and post-show report. Our duty PM is on call from load-in to load-out, including weekends and bank holidays. If something goes dark mid-show, you've got one number to call.
30-minute briefing call. We map your brief, audience, venue and budget, and walk you through how the build will look, week by week, right up to show call.
Concept deck, mood film, stage & scenic visuals, lighting and video content design. You sign off the room on paper before any kit is booked, no surprises at load-in.
CAD drawings, equipment schedule, crew sheet, risk assessments and method statements. Every supplier lined up, every deadline on a Gantt chart you can see.
Crew arrives with kit. Build, rehearse, show-call and wrap, all from one production desk, with the duty PM on site from load-in to load-out.